Oriental Bay Walkers’ Mystery Walk

Seventeen members of the Oriental Bay Walkers set off for the annual mystery walk and lunch on 7th December, in brilliant sunshine with no wind. There is great interest each year as to just where we are going to walk and where the lunch will be held, always highly secret. This year it was held at Percy’s Reserve in Petone followed by lunch at La Bella Italia.

Fifteen of us set off from Oriental Bay towards the station, a little early so there was plenty of time for a cup of coffee at the station. Two of us set off in cars to set up the festivities and be ready with bubbly and Christmas nibbles when the others arrived by train. There was another short walk to the reserve.

On arrival there was much frivolity, nibbling and drinking of bubbly. There was a very noisy Secret Santa game with varying ideas on the rules -a great time was had by all. The presents were to be unusual and fun ones, which they certainly were.

Walking around Percy’s Reserve, there is a lot to see, duck feeding, glow worms that didn’t glow that day, and lots of nooks and crannies to check out. Afterwards we walked up through the Reserve to Stanhope Grove and down London Rd looking at the view of our sparkling harbour then headed off to La Bella Italia. The lunch, with Christmas crackers, was very good indeed; the staff at Bella had been very helpful with sorting out a very good and delicious menu. The magic time to leave was 2:30pm to all get back to Wellington using our Gold Cards; after all if you’ve got them one must use/flaunt them.

Once again a wonderfully successful day all round.

Bay View newsletter 67, May 2016

Normal
0




false
false
false

EN-AU
JA
X-NONE

 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 


 <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="276">…

Pictured on the mystery walk (in no particular order) are Julie O’Connor, Kay Austad, Catherine Kennedy Good, Viv Callender, Linda Graham, Elizabeth Ellis, Sandy Jackson, Annabelle Leask, Linda Cowley, Susie Clarke, Philippa Larkindale, Marg Hogg and Yvonne Bacon. By Jillian Allen

Unusual Career is Out On Its Own

There must be lots of Oriental rugs in Oriental Bay! If you have one that needs repairing then the name Anna Williams probably springs to mind.

For many years she lived in Grafton Road between Oriental Bay and the Iranian Embassy. This was a convenient location as she regularly went to the Embassy to get a visa to travel to Iran. Oriental rugs, Persian particularly, have been her passion — she has worked at the art of repairing them for 24 years.

05 Anna rugs.jpg

"Iran is one of the world's best-kept secrets. I feel safer there than in many places in New Zealand," she says. "The hospitality is astounding. I can be in a teashop and have invitations from the people, on both sides of where I am sitting, to go to their homes. They are often disappointed if I refuse!" She knows many New Zealand Iranians which helps a little to ease her urge to go back to Iran as soon as possible, she says. "Some have gorgeous family rugs which I have been privileged to see."

ut there's one disadvantage to her career as a repairer of Oriental rugs. "Not having other repairers here is professionally lonely and I miss comparing techniques and seeing what finishes they are now using."

She's moved from Grafton Road now, but still lives close enough to the Iranian Embassy to apply for a visa in person which she hopes to do again very soon.

JCD, Bay View newsletter 67, May 2016

New Business in The Bay

Normal
0




false
false
false

EN-AU
JA
X-NONE

 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 


 <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="276">…

Melanie Smith in the Doorway of Cre8iveworx

You may have noticed a cheerful little shop on the Parade opposite the Royal New Zealand Yacht club. In this small space, and outside as well, Melanie Smith has managed to squeeze an array of bright colourful items, arranged in such a way it makes a real picture.

This is not surprising given her arts background. She graduated at university in U.K in 2004 and wanted a business that uses her creative background. So Cre8iveworx was born, just before last Christmas.

Looking around, I see handmade silver jewellery; possum/merino hats, scarves, gloves and slippers (this is a very strong line); candles, creams and scents; chocolates, sauces and jams; ceramics; and children’s toys and accessories. Nearly everything is New Zealand made, many items handmade. Supporting artists throughout the country is her aim.

“My plan is to try and support as many artists as I can,” she said, “lots of people are busy making things and being creative.” She takes artists’ work in two ways: purchasing initially and payment upon sale.

“I also wanted a space where I could paint myself,” she said, pointing to a painting of hers. She works in oils and specialises in landscapes and cityscapes which are interpreted in abstract form. She specially enjoys painting large works. She likes making things too and will be bringing in her sewing machine over the winter months.

So when it’s raining and the shop isn’t busy, she will combine being a shopkeeper with being an artist --opening the door to her stock room to make a larger open space.

JCD, Bay View newsletter 67, May 2016

Land Swap and an Old House

The International Catholic Programme of Evangelisation (ICPE) has a 2027 deadline for earthquake-strengthening St Gerard’s Church and Monastery. This could cost an estimated $20 million.

Normal
0




false
false
false

EN-AU
JA
X-NONE

 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 


 <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="276">…

1 Oriental Terrace otherwise known as Joe’s place

To raise money towards this cost, the ICPE want to sell land they own at 1 Oriental Terrace. In order to enlarge this site, they have asked the Wellington City Council to allow the exchange of a strip of land right next door to the monastery with a Council-owned pathway which runs between that strip and 1 Oriental Terrace. On this site stands a historic old house.

With a larger site and the old house demolished, a property developer would be able to build a multi-storey building which could block iconic views of the Monastery. This was the main objection made to a WCC Environment Committee hearing in February by Maurice Clark and Judith Doyle, representing Oriental Bay Residents’ Association.

Developer Maurice Clark also strongly emphasised the need for adequate space around the monastery building to allow earthquake strengthening to be done. A large development built close to the monastery would not leave sufficient space for the job.

Amongst the other submitters at the hearing was Marian Evans who lives in Oriental Terrace below the Monastery. She has researched the reserve and the old house at No 1, and believes the house was built by carpenter Joseph Leadbetter in 1897 – hence its nickname of Joe’s Place. “It backs on to St Gerard’s park on the promontory in front of the monastery, Wellington’s most beautiful small reserve. Its red roof and chimney disrupt views of and from the park and down the zigzag reserve, but it contributes strongly to the little upper Oriental Terrace enclave,” she writes.

Marian Evans has researched the original plans of the house. She discovered that lots of totara and red pine/rimu was used to build No 1; the floors are all 6 x 1-inch matai/black pine. The specs are very detailed. For example, the chimney’s brickwork was ‘to be executed with sound hard-burnt bricks laid in well-made mortar, the foundation to be laid on a solid hard surface. To chimney openings, insert a wrought-iron chimney bar 21⁄2 wide by 3/8 of an inch thick, the bars to have 4 1⁄2-inch bearing, and to be turned up and down at the ends’.

Local Writer on NZ Arts'n'Crafts

Normal
0




false
false
false

EN-AU
JA
X-NONE

 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="276">
<w:LsdE…

This first book cover (1893) of Studio (ebook page 116) exemplifies the style of the Arts & Crafts movement. The Studio series is in our National Library.

Oriental Terrace resident, Ann Calhoun, has just produced an ebook on her specialist subject: the New Zealand arts and crafts movement. "Arts & Crafts Design: 'like yet not like' nature: sources for a New Zealand story" is Ann's most recent project on what is her long-standing passion. (In 2000, Ann's "The Arts & Crafts Movement in New Zealand 1870–1940" was published by Auckland University Press. This was a review of the movement in New Zealand).

Her aim in writing the ebook, she says, was to give "a tribute to beauty through nature... It is free in order to give all New Zealanders a chance to appreciate this aspect of their heritage and culture."

Ann loves the arts and crafts movement because it pays homage to materials and skills, such as woodcarving,stained glass, jewellery, art metal-work, art needle-work, appliqué, stencilling, illustration, tiles, ceramics,weaving and, most importantly, architecture. Many of these objects were decorated by designs from nature. Shealso appreciates the fact that the development of the arts and crafts movement in New Zealand is unique in its use of Maori motifs and designs.

Last century the concept of what craft meant changed, as traditional handicrafts were mechanised. Crafts became associated with leisure, instead of being a necessity. So a distinction emerged between "fine art" and "craft" — the latter often dismissed as merely "decorative."

When the term Arts and Crafts was born it became a happy composite description. The spiritual and social value of handicrafts was recognised. It also gave particular scope to women, as it valued their talents and offered possible financial gain.

JCD, Bay View newsletter 66, November 2015

A Publishing Birthday and a House Move

Normal
0




false
false
false

EN-AU
JA
X-NONE

 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="276">
<w:LsdE…

Good timing for this latest Grantham House book!

For Graham and Anne Stewart 2015 has been a big big year. Grantham House, their Oriental Bay Publishing House, turned 30 this year and in August they moved from their long-time home up the steep hill of Wilkinson Street off Oriental Parade, into Market Lane opposite Amora Hotel in Wakefield Street. The move was prompted by Anne's eye health and involved very considerable downsizing. Graham's enormous collection of books was just one of the problems to be solved.

I've always followed Graham's career with interest. I met him (more years ago than I care to remember). I was a cadet reporter on the Auckland Star (a now defunct evening paper) and Graham was a photographer on the New Zealand Herald. He was obviously 'going places' then. And he did — Royal tours of the 1950s; Sir Edmund Hillary's wedding to Louise Rose; the last TEAL flying boat taking off for Sydney; the last tram from Oriental Bay; the visit to New Zealand of Nat King Cole and also Vice-president Nixon...

He was appointed illustrations editor for the Herald and held that post for many years. He moved to Wellington in 1975 for a position in the old publishing house of A.H. & A.W. Reed. In 1985 he founded Grantham House which he describes as a boutique publishing company which has certainly made a real contribution to pictorial history in New Zealand.

His subject range has included antique furniture, art, architecture, early Colonial toys, New Zealand wars, cricket, New Zealand birds... He published a series on New Zealand tragedies: aviation, earthquakes, fires, railways and shipwrecks and another series on colourful transportation: tramways, merchant shipping, railways and harbour ferries... The transport focus has been enormously popular.

In 2012, the Wellington City Council awarded him with an Absolutely Positive Wellingtonian Award for his advocacy for Wellington charities such as the Wellington City Mission and Ronald McDonald House. He was chairman of the Wellington City Mission Anglican Trust board in the 1990s. Bay View has reported on some of Graham Stewart's career highlights from time to time. One was the occasion when he received the National Press Club's Lifetime Achievement Award in 2013 — the seventh recipient of this award and the first cameraman.

At this event Wellington Mayor Celia Wade-Brown outlined some of his career highlights as a press photographer. They included his coverage of the 1951 waterfront strike, the pivotal post World War II labour relations and the terrible Tangiwai disaster. In his reply, Graham gave a fascinating description of the early days of his 60 plus years career, well before television and hourly radio news. He described the cameras back then, which were "as large as a six-pack of beer". Glass negative plates were used and, when on out-of-town assignments, changing bags, with holes for the arms to be inserted, had to be used. One of the most amusing historic events he covered was when he was present at the signing of the contract to build the Auckland harbour bridge. "I was sitting in the co-pilot's seat when daredevil Freddie Ladd flew (illegally) under the bridge before the official opening."

In his early years in book publishing, book designers had to cut and paste with a scalpel every strip of typography on to each page of a book over a light box. They worked with long galleys of type produced on the old linotype machines. "Technology has certainly brought unbelievable changes to all forms of the printed word — and photography — since I started on the road." Over the next few months Graham will consider the future of Granthan's. Like so many booklovers, he laments the alarming reduction in the number of bookshops. In Wellington alone, Parsons, Capital Books and Dimocks have gone; while Whitcoulls now gives more prominence to children's games and toys than books.

Nonetheless this year will still be an exciting one for Grantham's. "I have a number of books coming out," Graham says, "We've just published two rugby books, for instance. One is called Black Jersey, Silver Fern, and tells the little known story of Tom Ellison — the first Maori to captain the All Blacks." In the early days of rugby, Ellison went to the New Zealand Rugby Union and suggested players should wear the black jersey with the silver fern.

Another book, called Just to let you know I'm still alive, brings a new angle to World War I publishing. It shows an amazing collection of postcards sent back to New Zealand from those fighting overseas. There's also a book coming up on the Otago Rail Trail, one of New Zealand tourism's success stories.

So it's difficult to imagine Graham Stewart hanging up his publishing hat just yet!

JCD, Bay View newsletter 66, November 2015

Interactive Children’s Books Website

Long-time Oriental Bay resident Victoria Stace recently launched a website which gives world wide access to free children’s interactive picture books. The website, bayreaders.co.nz, features a panoramic illustration of Oriental Parade. The first book loaded onto the site, Something Special for Millie, follows a mother and daughter as they walk from Hay Street to Roseneath School on a very windy day.

The hand drawn illustrations, by artist Shar Young, portray many familiar Oriental Bay scenes complete with dogs, seagulls, ferries and the dairy. Victoria intends to load more books onto the site as the illustration and animation process is complete. Each of the books is likely to have some connection to the Bay.

 Bay View newsletter 66, November 2015

Local Anzac Service at Pt Jerningham

When you buy next year's diary, don't forget to mark an important date - the Anzac service on April 25. It will be held as usual at the street memorial that stands in Carlton Gore Road between St Barnabas Church and Roseneath School. The memorial was unveiled on 10 November, 1917 and is the first permanent memorial in Wellington to those who died in World War I. It is inscribed with the names of Roseneath School old boys who died during WWI.

The service is becoming more popular every year — about 170 people attended the last service. Because of its growing popularity, plans are afoot to improve the area around the memorial.

Bay View newsletter 66, November 2015

Telling Wellington’s Stories

Wellington Museum

Wellington Museum

Normal
0




false
false
false

EN-AU
JA
X-NONE

 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 


 <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="276">…

Reception area, Wellington Museum

Normal
0




false
false
false

EN-AU
JA
X-NONE

 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="276">
<w:LsdE…

Museums Wellington Nairn Street Cottage 

In July, Museums Wellington rebranded its four museums: Museum of Wellington City & Sea, Colonial Cottage Museum,Carter Observatory and the Cable Car Museum. All Museums but the Cable Car Museum have new names, being Wellington Museum, Nairn Street Cottage and Space Place at Carter Observatory respectively.

Museums Wellington’s aim is to tell Wellington’s stories. Each of our institutions express a different facet of the region’s story, with new branding that speaks of their individuality while unifying them.

Wellington Museum logo mirrors the Tukutuku panel illustrating Wellington’s harbour on display in level two. Meanwhile, the Cable Car Museum’s logo traces the cable car route from Lambton Quay to Kelburn. Nairn Street Cottage’s logo is a cross-stitched house, referencing young Clara Wallis’ sampler on display in the Cottage. And finally, Space Place’s logo is the Southern Cross, one of the most defining constellations in our southern sky.

Wellington Museum has been renamed to reflect that we have become the Museum of and for Wellington. Since its foundation in 1972 as a single-room Maritime Museum in the Wellington Harbour Board’s Bond Store the Museum has grown and evolved – now telling all of our tales; from the depths of our harbour, of the hubbub of the streets, to the top of the hills that crown our beautiful region.

The wrapper that has been on the building for the better part of the year is now off, and installation of the exhibition in its brand new space The Attic is now well underway. Adding nearly a third of floor space to Wellington Museum, The Attic is open.

Nestled at the top of the Botanic Gardens is Space Place at Carter Observatory. In 2005 a government report recommended that Carter Observatory be transformed into a world-class visitor attraction, paving the way for Space Place. Space Place’s mission is to bring the wonder of our southern skies to earth, with planetarium shows, our informative and interactive galleries, telescope viewing (weather dependent) and friendly, knowledgeable staff to help you discover the wonder of space.

General admission to Space Placeis now cheaper at $12.50 foradults (previously $18). And be-cause there’s only one visible starduring the day, its hours havechanged too. During school termSpace Place is open from 4 to11pm on Tuesday and Thursday, 10am to 11pm on Saturday, and 10am to 5:30pm on Sunday. Space Place is open daily from 10am during the school holidays.

Nairn Street Cottage is one of Wellington’s secrets, telling the story of the Wallace Family’s in their original family home. Wellington’s oldest original cottage, it harkens back to a Wellington when immigrants needed to bring everything with them – from wallpaper to nails and sewing machines, where you needed to be self-sufficient and were far from home. Quaint and charming, Nairn Street Cottage houses Wallis Family heirlooms, and tells the story of one of our oldest settler families alongside significant historical moments in the world.

To find out more about each of our Museums, including the significant redevelopment occurring at Wellington Museum, please see the website at museumswellington.org.nz.

Bay View newsletter 66, November 2015