A live wire in the Bay

In a very old house in Oriental Bay, in a house that was built in 1866, live Gareth and Jo Morgan. The house is amongst the oldest in Wellington. It is large and has a chequered history including being a well-known boarding house, Glenalvon, from 1920 to 1953. These days the house is back pretty much to its original condition.

Gareth and Jo are both remarkable people – but this is an article about Gareth.

Gareth Morgan

Gareth was born in 1953 in Putāruru. He went to Oraka Heights Primary School, and then to Putāruru High School, and was bottom of his class until his School Certificate year, when the light came on and he discovered how to pass exams. His father must have been a very good influence as he went to Oxford University at the age of 17.

Once Gareth realised that he enjoyed studying he made huge strides.
He went to Massey University for four years, gaining a B.A.(Hons) in Economics. On graduation he got a job at the Reserve Bank. He then went to Victoria University of Wellington, studied under Professor Brian Philpott, and got his doctorate there.

Not quite everything that Gareth touched turned to gold. In 1985, with Andrew Gawith, he purchased a racing guide, which was published twice weekly. They were very lucky with the first issue they published but fell flat on their faces when the punters didn’t understand their advice and left in droves. After several years of desperately hard work, with Jo driving buses to keep bread on the table for their three children, they sold the publication. At the time Jo said to him, ‘That was a lot of effort for nothing!’

In 1987 his career took a new turn. He started Infometrics, which succeeded immediately. It quickly became one of New Zealand’s largest independent economic consultancy businesses. In 2000 he set up Gareth Morgan Investments, a personal investment management service, followed in 2007 by the Gareth Morgan KiwiSaver Scheme. This was sold to Kiwibank in 2012.
Gareth and Jo were early investors in their son Sam’s TradeMe venture. They were able to benefit from the tremendous uplift in value when TradeMe was sold to Fairfax Media in 2006.

Gareth and Jo motorcycling in Turkey.

There is nothing pretentious about the Morgans. Their great loves have always been their children and motor cycling. And they decided to use their money to help the work of UNICEF. They have been major donors since 2007 and have travelled the world on their motorbikes, spending a considerable amount of time at projects in Africa, South America, Bangladesh and East Asia. But their generosity didn’t stop there. They have helped numerous health and environmental projects in New Zealand and the Pacific as well. It is not surprising that in 2007 Gareth was North & South’s New Zealander of the Year.

Gareth is also well known for setting up The Opportunities Party for the 2017 general election. His aim was to try to lift the level of political discourse – to involve politicians who would encourage best practice policy right across the board irrespective of their political partisanship. His party got 2.5% of the vote, which was pretty good for nine months’ effort, but not enough to get a member of the party into Parliament.

Declaring at the time that his was a once-only, take-it-or-leave-it proposition to the electorate, Gareth immediately withdrew from politics and ended the 35 years he had been in the public eye. Yet today he is busy working on another exciting project that won’t be able to avoid the public’s attention. Bay View will be watching with interest.

Ann Mallinson, Bay View newsletter, May 2024

The Prof at the Bay

In October 1981 I went to New Zealand for several months to visit my family and to work on an anthology of contemporary New Zealand poetry that I’d been contracted to compile for the New Zealand branch of Oxford University Press.

I needed to find somewhere to live, preferably a place where I could be alone and cater for myself without constantly expecting relatives to provide me with meals and entertainment. After my first few weeks of enjoying other people’s hospitality a solution presented itself: my father (Cyril John Adcock) and his second wife, Ngaire, had recently bought a fairly large house in Oriental Bay, their third address in the area. My father was greatly given to moving house and enjoyed the process of renovating old properties. He was also passionately fond of living beside the sea. He told me how as a little boy from Manchester he was taken to Colwyn Bay for a holiday, and loved it so much that his parents let him stay on and board for several more weeks with the family who ran the guesthouse. (He appears there on the 1911 census of Wales, aged six, with his mother, guests of a family called Jones.) Now he had his own bay.

A note from my journal for 21 November 1981, when I moved in, gives a brief description of 174 Oriental Parade: ‘This house dates back to the 1890s or so, according to the title deeds, and probably further than that, but no one can be sure. The land is valued at a vast sum. I hope it will stay in the family and not have a horrible concrete block built on it, like so many others around here.’ [That hope, alas, was a vain one; my father would eventually give in to pressure from one of the big construction companies that were buying up properties on the seafront.] ‘The front of the house, which directly abuts the street, faces Oriental Bay with its yachts and swimmers and the glittering hills across the harbour. It has a view on three sides and is strangely shaped to accommodate this. It is probably the second-oldest house on the bay, with curious panels and pilasters in the big sitting-room.’

It was in such a prominent position that postcards of Oriental Bay photographed from the other side of the harbour used to show it very clearly. Unfortunately, the view has now changed, but I’ll try to describe the layout, reconstructing it in retrospect:

174 Oriental Parade
[Credit: Wellington City Libraries, Charles Fearnley Collection, ref 50003-1051]

The house nestled into the hillside and was built to fit a section on a sharp corner, with large windows upstairs to take advantage of the light and sunshine. It was on two levels, with steps up from the pavement to the enclosed front porch and inside that a second front door. My sister Marilyn has reminded me of a feature I had forgotten: the shiny bronze plaque installed on the inside of the front door. It had a raised image of Paddy the Wanderer – an Airedale terrier who roamed Wellington wharves and Oriental Bay in the thirties. He had his yearly dog licence paid for by various cabbies and seamen, and by a number of Oriental Bay residents. Perhaps the previous owner of 174 had been one of them? The story can be found on Wikipedia.

The main bedroom was downstairs, together with several smaller rooms, all full of books, including the one on the eastern corner, looking out at the street and the sea, that my father used as a study. At the back was a utility room mostly devoted to laundry but with a sink, a cooker and an ancient fridge so that I was able to use it as a kitchen when I stayed there. A door gave access to the yard outside, with sheds and workshops plus a convenient lavatory. The garage was at the front, under the house. Every time my father backed his car out into the busy road he was at risk of instant death.

Upstairs was a large reception room facing the bay, with a wide expanse of windows sweeping around two sides and part of a third. This was a sitting room and dining room combined, the dining area being partially enclosed, and the whole floor was rather alarmingly carpeted in a very impractical pristine cream: Ngaire’s taste, I assume, but not a place to entertain visiting small grandchildren. There was a window seat running alongside the walls full of windows in this room, and there were also quantities of upright chairs; perhaps the space had been used for meetings. But where were the panels and pilasters that I mentioned in my journal? Could I have been referring to the partial wooden screen around the dining area? I try in vain to peel back the darkness that has descended over the image that must have existed in my mind 40 years ago.

I adopted the western corner of the window area as my workplace, where I sat reading through volumes of New Zealand poetry borrowed from the public library and picking out promising candidates for my anthology.

At the back of this upper floor, across the stairs from my bedroom, was the main kitchen, a rather large room with a small dining area for everyday use. From this kitchen there was a door out to the second level of the garden, with a washing line and space for garden furniture, while above this were two more ascending terraces where my father grew his tomatoes and vegetables. He had a tame blackbird that used to visit him while he was gardening. Higher still, snuggled into the hillside, was an elderly shed or bach, furnished with a dusty rug, shelves of books and an old chair or two, and often bathed in sunshine.

Not long after I moved in, a student-age resident of the house next door, number 172, called at the side gate asking whether ‘the Prof’ was in. At that moment he wasn't, but when he came home he revealed that he owned that building, too, and was responsible for its maintenance and upkeep (he was an expert handyman). The two houses were part of a small empire he called ‘City Investments’. For a man with such fervent socialist principles my father had turned out to be surprisingly hard to distinguish from a capitalist.

His wife Ngaire, who like him was on the staff of the psychology department at Victoria, shared his enthusiasm for the bay. It’s very difficult to establish the chronology of their various moves, after so many years, as the stationery they used for their correspondence had the address of the university printed on it so that they needn’t insert their home address. They were at 7 Oriental Terrace in late 1962, when I remember visiting my grandmother there not long before I left for England, although my father and Ngaire were already abroad on sabbatical at that time. The last evidence I have of them at that address is on a letter dated April 1967. The next clue shows them at 210 Oriental Parade in September 1968, and they were still there in March 1979. They must have bought 174 between then and 1981 These three successive addresses represent a gradual descent to sea level, a location that was nevertheless at the height of desirability.

Oriental Terrace is not so much a terrace as a typical Wellington zigzag pathway, part of it consisting of steps and inaccessible to vehicles; it lies on the pedestrian route from Oriental Bay up to St Gerard’s Monastery and the streets of Mount Victoria, where my mother and later my sister lived. I never set foot inside number 7 after that visit with Marilyn to our grandmother, as I was settled in England, but I have vivid memories of Grandma’s nervousness about being in the house alone; she was convinced that there was a man lurking inside the locked room where valuable items were stored. After all, she was then 87.

Before the next change of address she moved, or was persuaded to move, to a residential home for the elderly at Titahi Bay. Her son and daughter-in-law then shifted to 210 Oriental Parade, a house reached by a number of steps up from street level, with a garden in front and room for my father to indulge another of his enthusiasms. He built a small rowing boat, which he could drag down to the seafront and paddle around in the shallow waters of the bay. Ngaire, I think, was less keen on the boat, but they were both regular swimmers.

They were still at 210 in May 1970 when my father retired from the university, although Ngaire, who was younger, worked there until after his death. He was never less than busy, however; with his writing and the lectures he continued to give to other organisations such as the WEA, nursing organisations and the like, as well as his private practice as a psychological advisor and his supervision of various, often ramshackle, properties around Wellington that he would renovate before letting them to students. He was a workaholic, and a constantly active man. We were always afraid he would fall off some roof he was mending, and he could be seen cycling around Oriental Bay on his bicycle until he broke his leg (I’m not sure of the details – as usual, I was in England at the time – but he made a good recovery). Buying and renovating number 174 was just the sort of challenge he enjoyed.

My last visit to New Zealand in his lifetime was in early 1986. By then he had given up the attempt to live peaceably in Oriental Parade, and sold 174 to the developers. After something like five years in the house and a total of perhaps 23 years at Oriental Bay he and Ngaire had moved to a quite different area of Wellington, Karori, to a house in Hatton Street with a swimming pool. I assume the pool was the attraction, but Marilyn tells me it had maintenance problems, and that his efforts to keep it leak-proof were a severe strain on his health – not that he would ever have admitted to such a thing. Both she and I were out of the country (Marilyn in the USA, on a writing fellowship, and I back in my house in London) when he died unexpectedly of a heart condition in June 1987, a short time before his 83rd birthday.

But Oriental Bay is addictive. After his death Ngaire sold the Karori house and moved back there to a flat high up in Wharenui Apartments, 274 Oriental Parade, from where she could once again watch the passing scene below her and the changing weather coming across the sea.

Fleur Adcock, Bay View newsletter 81, May 2023

Jerningham Apartments, 20 Oriental Terrace

Although Jerningham was named after the ‘wild child’ of Edward Gibbon Wakefield, there is nothing notorious about these apartments.

Jerningham, which is located high above the Parade, includes 69 apartments and 65 car parks in a position Frank Lloyd Wright would have approved of, as he favoured a plateau below the top of a hill as a building site. Still close enough to hear the laughter from the beach but far enough away from the camper vans.

Jerningham was completed in 1965 shortly after Wharenui was finished. They were both developed by Wilkins and Davies. What sets the two apart was the engineer John Hollings, a partner in Hollings & Ferner. He masterminded a revolutionary earthquake strengthening scheme that, to put it simply, had extremely strong supporting columns that counterbalanced with light ceiling beams. His seismic engineering feats made him a global icon and he is still revered at Canterbury University.

The Jerningham apartments share a style similar to those built in Bondi in the same decade, which still have Sydneysiders clamouring to purchase them.

Jackie Pope, Bay View newsletter 80, November 2022

Maurice Clark – innovative engineer and heritage building maestro

Innovative Wellington engineer and heritage building maestro, Maurice Clark, recently talked about the heritage projects he and his wife Kaye had been involved in. Host, Councillor Nicola Young, congratulated him on behalf of all Wellingtonians for his superb commitment to the city’s heritage.

Maurice recalled his early absorption of and love for the variety of historical building styles from his early years in Oxford, UK. He was unusual in combining structural engineering expertise with investing and developing. ‘It’s important to recognise the difference between conservation [highest level of preservation] and adaptive re-use [pragmatic approach]’ he said.

The 1987 restoration of the Old Government Buildings was his first conservation and strengthening project. The rotten totara piles, going two metres deep into the poor ground of the old beach, needed replacing with concrete for the building to be authentically restored. The timber frame building was built by farmer labourers during the 1870s’ recession using Australian hardwood that had been dumped on the beach. The strongest part was the old Treasury mint area made of brick. While the frame of building was ‘very wobbly’, the interior doors and window joinery were of ‘brilliant quality’ made by English tradesmen. Over $2 million of demolition kauri and other native timber was used to replace original features that had been lost or defaced. A lot of the plaster had cracked and fallen off the laths and polypropylene fibres were used instead of horse hair in the new plaster. Maurice explained that although there is usually a requirement to retain original features of the exterior of heritage buildings, the 22 chimneys of this building are now polystyrene replicas.

Old Government Building, Lambton Quay

His next heritage project was the Hunter Building at Victoria University of Wellington. It also had a ‘magnificent staircase’, but except for the main library, the rest had been ‘pushed around a bit’. Made of unreinforced brick with a cavity structure, the building was heavily sprayed with concrete, and big ties used to transfer loads. Maurice said he ‘couldn’t believe there’d been such a strong move to knock it down’. He was, he said, ‘thankful to the protagonists who opposed that’.

Old Government Life Building,
50 Customhouse Quay

The old Government Life Building (Tower Building) at 50 Customhouse Quay followed. The original building had been knocked down and replaced in the 1930s, after the Napier earthquake, with one constructed of steel encased in concrete. The Government couldn’t find the necessary steel columns, so several steel plates were riveted together to make the column sections to carry the beams. The rivets were heated by coal braziers on the floor below and thrown up to a guy above who caught them with a leather glove. He put them into a hole and with another man on the other side, they hammered the hot rivet in place, shaping the head. As it cooled, it contracted pulling the plates and beams together. The building’s earthquake rating was assessed at 25%, but research at the Ministry of Works’ laboratory showed the beam column joints to be very strong. Heritage New Zealand supported Maurice’s desire to remove the footpath canopy to reveal the Doric columns, but he had to go to the Environment Court to get consent because of a city ordinance about canopies over certain Wellington footpaths leading to the station.

Old Defence Building, Stout Street

The old New Zealand Defence Force building at 15 Stout St had been empty for eight years, and had a ‘dubious’ earthquake rating, and an ‘unattractive courtyard’. It was also built by the Ministry of Works but using proper steel sections that were welded. There was doubt about the quality of the numerous overhead welds involved and the building had only a 40% earthquake rating. The 3,000-plus welded joints were, however, found to be very strong having been done by British shipbuilders to a high standard. Research conducted by the University of Auckland involved cutting the beams and using big jacks to simulate the earthquake load on the beam column joints. Among 50 tested only one joint failed and the building was rated at 180% NBS. The 22,000 square metre building was snapped up by Hon Steven Joyce for the new Ministry of Business, Innovation and Employment.

Maurice’s next heritage project was the Wellington Museum, the old headquarters of the Harbour Board. The 1892 brick building rested on rotten timber piles. Replacing the piles without destroying the heritage building, Maurice said, ‘was like putting on new shoes without taking the old ones off and not sitting down’. The walls were of unreinforced masonry, and he had to construct new beams and fix them to the building’s walls and columns and jack up the entire building in order to take its weight off the old piles. Since then, the building’s walls need further strengthening.

Public Trust Building, corner of Lambton Quay and Stout Street

The Public Trust building was Maurice’s next heritage ‘headache’. During the earthquakes plaster had cracked and fallen on the heads of Creative New Zealand staff, who quickly left. The members of the chambers of the Hon Stephen Kos also decided to vacate, leaving the building almost empty except for the Trelise Cooper store which remained despite preparations for strengthening. The tall and slender building was clad with huge granite blocks and was ‘very unstable’. Maurice strengthened the building by putting big foundations in the bottom, a huge beam with anchors, and ‘two very thick sheer walls’ with steel inside them to absorb the earthquake energy. The building has a lovely performance hall which welcomes being utilised.

Maurice’s current project is the Oriental Bay Band Rotunda, which was empty for 10 years. The building has corroded steel concrete reinforcing and needs extensive work. His original plan was to drop the restaurant floor to street level but Wellington City Council insisted (‘rightly’ he added) that the lower windows and basement be kept for architectural integrity and community use. The weakness with the building is caused by these same windows on the seaward side having no lateral strength. The building’s heavy top could screw off its bottom in an earthquake ‘like opening a jam jar lid’. It turns out the basement slab can be fixed with diagonal bracing, and seawater entry stopped. The priority is to identify a restaurant tenant in order to complete the work to their specification.

Maurice ‘inherited’ the Anglican Chinese Mission Hall in Frederick St, with the site for his and Kaye’s ‘Housing First’ philanthropic project. They are building 75 units for housing vulnerable folks. The Mission Hall, designed by Frederick de Jersey Clere, was to be knocked down by its previous owners. Only the facade had been listed by Wellington City Council for ‘streetscape’ value (and that listing had been opposed by the previous owners). This unreinforced masonry building ‘on poor ground’ has since been heritage listed. Most of the external brick walls are being replaced by identical-looking light weight timber ones. The building roof and façade will be retained but need strengthening.

At Turnbull House, Bowen St, temporary walls have been built in preparation for the structure being base isolated.

Finally, Maurice was applauded for his and Kaye’s tremendous contribution to Wellington’s built heritage, a truly wonderful legacy.

Felicity Wong, Bay View newsletter 80, November 2022

Hairy Maclary and Grass Street

Yes, Hairy Maclary saw the first light of day at 7 Grass Street.

Lynley Dodd had published three children’s books in the United Kingdom when she found herself without a publisher. Publishers in the UK were facing a downturn in the early 1980s, and she couldn’t find one in either the UK or New Zealand for her manuscript Wake Up, Bear.
At the time I was on the New Zealand Literary Fund committee, and during a coffee break Elizabeth Alley turned to me and said, ‘Isn’t it strange that Lynley Dodd can’t find a publisher?’ I had met Lynley twice, and it didn’t take me long to get to the telephone and ask her if she would be interested in discussing her manuscript with a very small publishing company. She agreed to come and talk to us, and brought along her two manuscripts, The Apple Tree and The Smallest Turtle.
Lynley Dodd is very conscientious. She had been awarded the Choysa Bursary for Children’s Writers, which funded her for 12 months’ writing. The expectation was that the book or books produced during that time would be published. She was therefore very worried that she hadn’t got a publisher and was happy for us to take her two manuscripts and consider them for publication. We quickly decided we wanted to publish them.
Early in 1982, Lynley came round to our office in Grass Street, and asked us if we would consider Wake Up, Bear for publication. This manuscript had been offered to several British and New Zealand publishers before Lynley came to us. We saw no reason to turn it down, and when an agent offered to take the manuscript to the Frankfurt Book Fair to try and find overseas publishers to co-publish Wake Up, Bear with us, we agreed.
It was disconcerting to be rung from Frankfurt and told by the agent that we couldn’t publish Wake Up, Bear because Heinemann was publishing a similarly titled picture book. We tried to get proofs of their book from Heinemann, but without success. We were a new publisher and financially insecure, and so we rang Lynley, told her what had happened, and asked if she could do another picture book, and let us have it in March, just five months away.
Now I didn’t know Lynley well at that time, and I certainly didn’t know that it took her eight months to come up with a story, write the text and illustrate a picture book. I had almost asked for the impossible. However, a miracle happened. No more than two weeks later Lynley rang and asked if she could read a draft to me. I never allowed writers to read their picture book draft to me. They always wanted to, and had I agreed I would never have got any work done, because almost every mother in New Zealand thinks she can write a picture book. On this occasion, however, I agreed and Lynley came to our office, which was now 7 Grass Street because we had purchased the adjoining flat to the one in which we lived. With little ado she read to me the draft – indeed the finished text – of Hairy Maclary from Donaldson’s Dairy. It was a memorable moment. I looked up and said, ‘Lynley, it’s a winner.’ Well, you have to get something right in publishing!

Ann Mallinson, Bay View Online newsletter, May 2022

Oriental Bay historic buildings

Historic Places Wellington has asked for heritage listing of three Oriental Bay buildings.

The two 1923 ‘tenement buildings’ at 5–11 Grass St were built for £10,900 by David Norman Wilkinson II, whose father had established the tea gardens and plant nursery nearby.
These two identical two-storey flats were designed by well-known Wellington architect, Thomas Turnbull and Son. The two-storey bungalow-style flats each have an arcade of masonry arches and columns that front the entrances; bay windows adorned with coloured glass; and enclosed sunrooms with arched window frames mimicking the masonry arches beneath. There have been many long-standing tenants and owners and except for losing their front gardens and masonry walls, the buildings appear largely intact. The flats are the most distinctive buildings on Grass Street and are very unusual in Wellington.

5–7 Grass Street

Hiding behind a 1920s stucco front at 230 Oriental Parade, is possibly the oldest building in Oriental Bay. The house was built about 1875 by Paul Coffey, a well-known and early Wellington boat-builder and settler. Coffey was a member of the initial Harbour Board and a JP. He paid rates on the house in 1876 and it originally had a U-shaped hip roof with a gap at the rear for drainage. The hip was replaced by gables and augmented by a 1920s mono-pitched stucco addition to the front. The flat-roofed extension was built with two gables facing the street by architect and builders William and Thomas Page. Despite removing the traditional front of the house, the rest of the dwelling remained largely intact. In 1963, the house was sold to Wellington jeweller Andre Miet and remains with the Miet family today but has been rented for many years.

Felicity Wong, Bay View Online newsletter, May 2022

Thank you Mr and Mrs Patel

While warmly welcoming Ishvar and Varsha, the new owners of the Oriental Bay Store, to Oriental Bay, we want to take this opportunity to thank Mr Patel and his wife for their wonderful service to our community over 30 years.
Mr Patel was always very knowledgeable about happenings and goings on in the bay, and took a genuine interest in his customers’ wellbeing. He loved children and children loved him. Below is a picture of Lily (five and a half) and Francis (two and a half) with Mr Patel. It was always a huge highlight for them to visit him, and both were in the habit of saying ‘namaste’ to him while bowing with hands together.
Mr Patel would talk with them on their level, and was always funny and generous. They adored him.
Mr Patel’s parting gift to the shop, and to the community, can be seen in the background of the photo below. It says ‘Life is like an ice cream. Enjoy it before it melts.’

Bay View Online newsletter, May 2022

‘Traffic lights’ worse for business than lockdown

It’s been the worst of times for most of the businesses serving the Oriental Bay area.
As Covid continues to surge and wane, cafes, shops and hairdressers have struggled to survive, not helped by Wellington City Council, who in a stroke of baffling bureaucratic bullying, have instructed their ‘Pavement Protection Patrol’ to order cafes and restaurants to remove outdoor dining tables from pavements.
  

Small Acorns and Squirrel Cafe

Amanda Holland, who for 30 years has run her home decor business, Small Acorns, and more recently, the adjacent Squirrel Cafe on Blair St, was shocked when a representative of the Pavement Protection Patrol approached her before Christmas 2021 and ordered her to remove her four outdoor tables. If she refused, she was told the tables and chairs would be confiscated.
‘Are you joking’ Amanda replied. ‘Surely the council has got better things to do?’
Their rationale, according to the council officer from The Pavement Protection Patrol was ‘safety’. Yet Blair Street is almost exclusively pedestrian. ‘People are being encouraged to sit outside under Covid, because it is safer than indoors.’ says Amanda. ‘It just doesn’t make sense.’ 
This Pythonesque diktat from our City Council comes on top of what is feeling like an endless struggle businesses face under the severe limitations imposed by Covid.

We are waiting for clarity from the WCC over its reasons for removing the tables from Squirrel Cafe.

Kaffee Eis

The very popular Kaffee Eis on Oriental Parade closed its doors recently, following nine months of having a Council-approved skip parked outside the cafe entrance. 
‘Council does everything they possibly can to screw the entire business community’, says Kaffee Eis owner Karl Tiefenbacher. ‘Having a skip parked in front of our cafe for nine months was the last straw. People could no longer pull up outside and pop in to get a coffee or an ice-cream. That decimated our business.’
Karl, who has had to close two of his five cafes because of Covid, recently attended a meeting arranged by WCC. The purpose was to hear business leaders voice their concerns and get some clarification about the commercial implications of Let’s Get Wellington Moving (LGWM) and WCC’s plans for the inner city.
‘The whole thing was an absolute disgrace. The LGWM representative had no answer for any of the questions raised by the business community. Neither did Mayor Foster.
‘They showed us a map of the plans for The Golden Mile and Courtenay Place. But none of them had the faintest clue where the loading bays would be along Courtenay Place.’ 
Karl describes the council’s plans for the inner city as ‘diabolical’ for business owners.
‘We’ve just managed to keep our heads above water under Covid, now the council is throwing every obstacle they can at us to shut us down.’

Aye

However, a young Argentinian couple, Sebastian Facundo Ferrario and his wife Ayelen, have taken over the former Kaffee Eis site on Oriental Parade and are confident they can make a go of it.
Aye serves scrumptious traditional Argentinian empanadas and the famous Argentinian desserts, known as alfajores.
‘Everything is produced from scratch, using our secret ingredients,’ says Sebastian. 
The 80-hour weeks which involve doing all the baking in the very early hours at their Kilbirnie premises, as well as running their three cafes make for an exhausting day. 
‘I knew it would be very tough opening Aye in the middle of an epidemic, and at first things were slow,’ says Sebastian.
‘It wasn’t the summer we had hoped for, but we are building up our regulars and word is getting around. Business is now steady, we’re here for the long haul!’

Shine

Hairdresser April Scott has been styling and cutting hair on Oriental Parade for almost 25 years, first as a junior, before setting up her own salon, Shine.
‘As well as looking after my staff, under Covid it’s even more important for people to feel pampered and special when they come here. As well of course, as making them look fabulous!’ says April. 
‘At times it was very distressing’, she says. She often asked herself ‘where’s this going, where will it end? I’ll never make up what we’ve lost.’
She was even warned about the possibility of looting under lockdown, so did a full clean out of all her stock.
‘Despite all that stress, you have to make the salon experience special for everyone who comes in that door. Behind that mask, I’ll have rivers of sweat rolling down my face. But I’m still laughing!’


While most of the customers are wonderfully loyal and supportive, Small Acorns owner Amanda Holland says some are not.
Freight and the supply chain problems are out of her control.
‘I can’t help it if my latest shipment is held up in Singapore for weeks on end, and while most people get that, some don’t, and have been very rude and unpleasant. I can do without that.
‘Despite a malaise that seems to have crept in and that constant anxiety of thinking, ‘what next?’, the community spirit and support have all been amazing. That’s what makes me get out there every day to be with my staff and customers.’

Kevin Isherwood, Bay View Online newsletter, May 2022

Taniwha, rig sharks and dolphins

An extraordinary sight this summer was the large number of rig sharks basking in the shallow water of Oriental Bay. Dozens of people stood awestruck and waded among them, quietly watching the animals on several days and evenings in January and February. It was an eerie experience seeing such large wild animals in the urban context and sharing their natural habitat.

At the same time, the story of the taniwha of Te Whanganui-ā-Tara was being projected on the fountain and amplified from the nearby Rotunda, part of the 2021 Trustpower Performance Arcade festival. The story told of two taniwha who lived in the harbour long ago and explored how they created the landscape of Wellington as we know it today.  

On one evening, a pod of dolphins even swam just beyond the rig sharks and the fountain. Altogether it was an incredible piece of performance art on a massive (unplanned) scale – awesome!

Rig sharks are also known as “lemon fish” or spotted dogfish, and are caught all over New Zealand for supermarkets and fish-and-chip shops. Adult female rig grow to about a metre long and migrate into shallow coastal waters in summer to give birth to live young and then mate before departing for deeper waters.

The sharks are bronze or grey with white spots on top, with a white belly, flattened teeth like paving stones forming grinding plates, and feed mainly on animals that burrow in the sea floor, like crabs.

Felicity Wong, Bay View Online newsletter, May 2021

Rig sharks in the shallows of Oriental Bay

Rig sharks in the shallows of Oriental Bay

A walk along Oriental Parade

Oriental Bay’s great heritage buildings give us joy and delight in our shared townscape .and history. Fine villas, modernist apartment blocks, early transport hubs, and outstanding buildings used for swimming, boating, and spiritual renewal; they are the richly-worked set for our sunny, positive, community life. The following are recognised under the WCC District Plan and/or by Heritage New Zealand (HNZ).

Fire Station.jpg

Wellington Central Fire Station, 2-38 Oriental Parade, is a great representative example of inter-war public building architecture. It is notable for its size and scale and has a symmetrical main facade. The building was designed by Mitchell and Mitchell, and built in 1937. The prominent clock tower, originally donated to the town hall, was shifted to the fire station. (Listed by WCC and HNZ.)

St Gerard’s Church and Monastery are two adjoining buildings, each listed by WCC and HNZ as Category One, forming a landmark image of Wellington above Oriental Bay. The church was designed by John Sidney Swan in 19th century gothic revival style, and was constructed in 1906-10 of brick and plaster with a slate roof. It includes two chapels in each transept and a grand altar made of green Devonshire marble, supported by columns of green Galway and white Italian marble. The front altar panel has Italian mosaics depicting the Annunciation. Hardman & Son of Birmingham made the beautiful stained glass windows.
St Gerard’s monastery provides a unified addition designed by Frederick de Jersey Clere and completed in 1932. Built of concrete and steel with a brick facing, its many-arched frontage is of a collegiate gothic style. The Redemptorist brothers were proud to provide construction work for the unemployed during the depression. The International Programme of Evangelisation now owns the property. [see also ‘St Gerard’s Monastry on Mt Victoria’]

Port Nicholson Clubhouse built in 1943, Coene sheds built in 1942, and the slipway between the sheds. (WCC listed.)

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Clyde Quay boat harbour heritage area includes boat sheds 2-13 and 38-49, the first buildings constructed on the newly formed harbour in 1905. The concrete sheds were built as workshops and to house small boats and gear. Shed 1 was built in 1909, and a further 14 sheds with the same appearance added in 1922. In WW II they were used as a base for American troops. (The heritage area is designated in WCC’s District Plan.)

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Freyberg pool is an outstanding piece of modernist architecture, completed in 1963. It was designed by Jason Smith and named as a memorial to prominent New Zealander Bernard Freyberg (1889-1963). The striking reinforced concrete building has an asymmetrical butterfly roof, curtain glass walls and clean lines. (Listed by both HNZ – Category One, and WCC.)

Apartment building: 154 Oriental Parade has much of its form and structure intact but has lost its decoration from the front facade. The five-storey building was designed by Atkins and Mitchell and built in 1930. (WCC listed.)

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Oriental Bay Historic Area (listed by WCC and HNZ) comprises seven two-storied Edwardian houses at 188-200 Oriental Parade. Built in 1906 by Joshua Charlesworth, a prominent Wellington architect, they have great townscape and visual appeal. Charlesworth built further houses at each end, the largest being his own house (later demolished for Clifton Towers) and the yellow house at 186 Oriental Parade. (WCC listed.)

Central bus shelter built in 1940. (WCC listed.)

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Anscombe Apartments, 212 Oriental Parade, including the penthouse residence of its architect Edmund Anscombe, was constructed in 1939. It’s a fine example of the moderne style with rounded corners, generous window areas with window hoods, horizontal fluting and use of sculptural effects reflecting a mastery of Art Deco shape and form. (Listed by WCC and HNZ.) [see also ‘Take a moderne walk in Oriental Bay’]

The house at 234 Oriental Parade is a two-storied, late-Victorian, formal symmetrical villa designed by William Penty and built in 1900. It’s a rare survivor of the fine timber houses which once made up the area. (WCC listed.)

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The Band Rotunda was constructed in 1917 as a platform for a relocated band structure. It survived as a popular lookout and community rooms with a restaurant added in 1985. Local resident, Maurice Clarke, is earthquake-strengthening this Parade landmark for WCC. (Congratulations for his recent Wellington Civic Trust heritage award for the beautiful Public Trust Hall.) The rotunda is listed by both WCC and HNZ. [see also ‘Where to now for this iconic site?’]

The Wards (earlier Arcus) house at 240 Oriental Bay is a large relatively ornate Edwardian villa built in 1907-08 on the corner of Hay St, designed by Mace and Nicolson. It retains a mainly-authentic exterior. (Listed by WCC and HNZ.)

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The unusual Dutch style house at 294 Oriental Parade was built in 1920. (Listed by WCC and HNZ.)

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The house at 298 Oriental Parade is a relatively rare example of English cottage revival style in brick, and is a very distinctive Oriental Bay house. It was built in 1928 for William Kemball, the first owner of the Embassy Theatre. (Listed by WCC.)

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The apartment building at 300 Oriental Parade is in Georgian revival style, executed in concrete and red brick, and was built in 1930 for Sir Donald McGavin, one of NZ’s most respected surgeons. (Listed by WCC and HNZ.)

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Inverleith Flats, 306 Oriental Parade, is the earliest high-rise luxury apartment block in Oriental Bay, and one of the earliest in the city. It was designed by Frederick de Jersey Clere and Llewellyn E Williams and constructed in 1922. The building’s exterior is plain and was revolutionary for its time, becoming a link to the later Wharenui at 274 Oriental Parade, and the modernist apartment building Jerningham in Oriental Terrace. (Listed by WCC and HNZ.)

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The apartment building at 348-352 Oriental Parade is of classical manner integrating provision for motor cars. It was designed by Swan Lawrence Swan and built in 1924-5. (Facade listed by WCC and HNZ.)

The tram shelter near Carlton Gore Rd was built in 1904 at the terminus of the Oriental Bay tram from Courtney Place. By 1911 there were an estimated 22 million passenger tram rides a year in Wellington, and the Oriental Bay tram route provided cheap transport for residents and beach excursionists. (WCC and HNZ listed.)

Felicity Wong, Bay View Online newsletter, July 2020
(Felicity is Chair of Historic Places Wellington. She drew from David Kernohan’s book Wellington’s Old Buildings and WCC/HNZ sources in preparing this article, and the information may need to be verified.)